Not long ago, we questioned how, if Kathleen Donahue really did not feel anything for him, she and Cooper Nielsen danced better than they ever had before. We posited that perhaps feelings that were buried under layers of psychological denial were able to express themselves freely through the dancer’s bodies while their minds were completely focused on movement.

CORRECTION: We now know the answer is that it was just acting Cooper, and that Jesus, that’s our job.

Alex Davison regrets the error.